Cool Mold Chinese images

Cool Mold Chinese images

A few nice mold chinese images I found:

2016 – China – Beijing – Cloisonné – 1 of 5
mold chinese
Image by Ted’s photos – For Me & You
After we left the Badaling Great Wall we went to a cloisonné factory, shop and restaurant for lunch. After lunch we wandered around the shop and factory.

Cloisonné is colourful handicraft articles made by a complex manufacturing process. It includes inlaying thin gold threads or copper wires into various patterns, hammering the base, inlaying copper strips, soldering, filling with enamel, firing the enamel, polishing, gilding and adhering enamels of various colors to copper molds.

Introduced into the Middle Kingdom in the 13th century, this technique became a typically Chinese art. The technique remains common in China to the present day

Jardin Royal Chinese Restaurant Newbridge – County Kildare (Ireland)
mold chinese
Image by infomatique
Newbridge is a town in County Kildare, Ireland. Its population of 21,561 (2011 Census) making it the largest town in County Kildare and the 15th. largest in Ireland.

The town is located on the banks of the River Liffey, which provides a range of natural amenities. Upriver are towns such as Athgarvan, Kilcullen and Blessington, while downriver are the towns of Caragh, Clane and Celbridge.

Newbridge is bounded by the Curragh Plains to the west, Pollardstown Fen and the Bog of Allen and Moulds Bog to the north west. Around the Curragh, and to the east are many important stud farms.

To the south the motorway now forms a boundary to the town.

Today Newbridge is a thriving town with a population approaching 21,661, a major centre for industry and commerce, within the South Kildare region.

Cool Pipe Fitting Moulding Design images

Cool Pipe Fitting Moulding Design images

A few nice pipe fitting moulding design images I found:

Image from page 48 of “Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers” (1905)
pipe fitting moulding design
Image by Internet Archive Book Images
Identifier: mortonmemorialhi00furm
Title: Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers
Year: 1905 (1900s)
Authors: Furman, Franklin De Ronde, 1870- ed
Subjects: Stevens family Morton, Henry, 1836-1902 Stevens Institute of Technology
Publisher: Hoboken, N.J., Stevens institute of technology
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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For a number of years previous to 1881 the shop-work course was arrangedso that, after a prescribed set of exercises in carpenter-work and wood-turning,millwrighting and steam-fitting, machinist-work, blacksmithing, molding, found-ing, and pattern-making had been performed by a class, the students were permit-ted to complete the course by constructing some machine. Thus the Class of 1876 built a Thurston autographic testing-machine. GROWTH OF THE INSTITUTE 19 several important features of the design having been previously planned in thedrawing-room. The Class of 1877 built a lubricant testing-machine. A part of the Class of 1878 assisted in the design and construction of alarge oil-tester, while other portions of the class designed and constructed a Pronydynamometer, a small horizontal engine, and a small oscillating engine. The Class of 1879 built an autographic transmitting dynamometer. The Class of 1880 assisted in the construction of a 3 V2-horse-power com-pound condensing engine.

Text Appearing After Image:
Ground Floor of the Carnegie Laboratory of Engineering The construction of a machine as a final exercise in the shop was there-after discontinued. Subsequent classes devoted the time which had been sospent to the performance of more extended series of exercises in the variousbranches of the shop course. About the time this change took effect, the shop course was also consid-erably extended, and a course in experimental mechanics inaugurated. This course included, as then planned, a series of sixteen experimentalexercises comprising, among others, a test of the evaporative power of boilers; 20 THE STEVENS INSTITUTE OF TECHNOLOGY experimental determination of the total heat of combustion of coal used in boilertests, and comparison of this heat with that computed from the analysis of thecoal; measurement of the friction of steam flowing through pipes; comparison ofefficiency of steam pump and injector. Order of Exercises in Experimental Mechanics, Class of 1902 Supplementary Term, June a

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Cool Mould Manufacturing Factory images

Check out these mould manufacturing factory images:

Mould making/ Die-casting/ Precision stamping/ Machining parts/CNC Precision Parts Manufacturing与您共享了 相册。
mould manufacturing factory
Image by ccrweb
Dear Sir/Ms,

Good day!
As an ISO certified factory, we specialized manufacture Mould making/ Sheet
metal process/ Die-casting/ Precision stamping/ Machining parts, with
strong competitive price and excellent quality, for more than 20 years.
Any questions and enquiries will be highly regarded. Just email us the
drawing and detailed requirement, you will get a complete quotation with
technical analysis within 24 hours.

Your prompt reply is highly appreciated.

Best regards sincerely!

Michael

Repair and restoration must take some skill!

Repair and restoration must take some skill!

Check out these pipe molds china images:

Repair and restoration must take some skill!
pipe molds china
Image by shankar s.
Lucky this excavated terracotta statue is more or less intact. But still, careful removal, moving to the repair station and the subsequnt restoration must take some skill and patience! The terracotta army figures were made by government labourers and local craftsmen in various workshops by using local materials. Heads, arms, legs, and torsos were created separately and then assembled by luting the pieces together. (luting= use of liquid clay or cement to glue pieces together). When completed, the terracotta figures were placed in the pits in precise military formation according to rank and duty. The faces of the terracotta figures were created using moulds, and at least ten face molds may have been used. Clay was then added after assembly to provide individual facial features to make each figure appear different. So there goes the theory by some cynics that the emperor murdered all his men and had faces made to resemble them! It is believed that the warriors’ legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would classify the process as assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying which workshops were commandeered to make tiles and other mundane items for the terracotta army. (Xi’an, Shaanxi, China, May 2017)

Image from page 159 of “Illustrated catalogue of a remarkable collection of antique Chinese porcelains, pottery, jades, screens, paintings on glass, rugs, carpets and many other objects of art and antiquity, formed by Mr. A. W. Bahr, the well-known connoi
pipe molds china
Image by Internet Archive Book Images
Identifier: liu-31289009872120
Title: Illustrated catalogue of a remarkable collection of antique Chinese porcelains, pottery, jades, screens, paintings on glass, rugs, carpets and many other objects of art and antiquity, formed by Mr. A. W. Bahr, the well-known connoisseur and authority on the ancient arts of China [electronic resource] : to be sold at unrestricted public sale at the American Art Galleries, Madison Square South, on the afternoons herein stated
Year: 1916 (1910s)
Authors: American Art Association Bahr, A. W Kirby, Thomas E. (Thomas Ellis), 1846-1924 Bernet, Otto American Art Galleries
Subjects: Bahr, A. W
Publisher: New York : American Art Association
Contributing Library: William Randolph Hearst Archive, Long Island University
Digitizing Sponsor: Metropolitan New York Library Council METRO

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rple shade, used predominantly forrobes, which have a turquoise-blue edging. Dee]) .Minggreens are used for lower layers of base, with center partand top, and for lower robes, a deep blue-tinted aubergine,yellow used for deer, stork, and details. A fine example ofearly work and in perfect condition. It is a rare exampleof the Cheng Te reign of the Ming dynasty. (Illustrated) Height, 15 inches. 482— I.mi-osixg Figure of a Deity (Ming) The imposing figure of the deity is seated on bench withrectangular pedestal of severe lines and moldings, onehand held Up and other, against girdle. Hard heavy pot-tery. The robe, witli flowing outline, is covered with a deepMing green glaze with malachite tints. Head-dress is of adeep turquoise-blue. Heavy gilding is employed for hands,face, and breast plate, which is ornamented with a dragonand clouds mostly gilt, but with parts of turquoise-blue.Pedestal is green and yellow with traces of red in the fret-work under. Height, 20y, inches.(Illustrated)

Text Appearing After Image:
Third Afternoon 483—Large Ma hulk Figere ok God ok Litkratcrk (Sung) Seated on an oblong base with arms folded in contemplativepose, and a benign expression on the face, the folds ofthe robes and the deep feeling of this work show high sculp-tural quality. The surface has been coated with red lac-quer paint and still shows traces of same. //eigh1, 21,-4 incites. 48+—Bronze-green Censer and Cover (Early Ming) Oblong, straight-sided vessel resting on four tubular feetwith cut-ribs at angles, flange at top and curved band-rimhandles. Body is decorated with diaper of small Squareswith round boss in each and archaic lined-border and largekey pattern medallions. Cover is deeply recessed, hasfloral ornament, and on top, a vigorously-molded Dog ofFo, with paw on ball of brocade. Imitation of ancientbronze sacrificial vessel. Soft pipe-clay pottery coveredwith a light bronze-green glaze of various shades, showingeffect of time in color of burnt-clay. Imitations of incrusta-tions of verdigr

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Image from page 488 of “The fireside university of modern invention, discovery, industry and art for home circle study and entertainment” (1902)
pipe molds china
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Identifier: firesideuniversi01mcgo
Title: The fireside university of modern invention, discovery, industry and art for home circle study and entertainment
Year: 1902 (1900s)
Authors: McGovern, John. [from old catalog]
Subjects: Science
Publisher: Chicago, Union pub. house
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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fe-time. How were the Blue Pictures put on ? By a set of artists, each making a different part of the picture,owing to the influences of caste and unionism in the trades.When the Chinese began to paint pictures to please theEuropeans, the effects were still more grotesque, as all the badfeatures of the bad European engravings which furnished theoriginal copies were faithfully reproduced. Describe, briefly the entire Chinese Process ? With a quantity of the Kao-lin the Chinese potter throws his vessel on the wheel, using such molds as may be useful, andsuch hard instruments as will shorten his labors. The article isthen set to dry. The painters now apply their blue figures andlandscape. The slip fluid is now blown on with a pipe, as theChinaman loves to spray things, or the article is dipped. As we CHINA. have shown, it is with the fineness and purity of this slip thatthe Chinaman charges his famous patience. He has ground andground in water the heritage left him by the ancestor whose

Text Appearing After Image:
Fig. 166. PORCELAIN—THE DIPPING ROOM. memory he so religiously reveres. The new vessel, painted andvarnished with slip, is now packed in a clay box called a sagger inEnglish countries, and the saggers are piled up in the kiln. Thesurrounding of clay in the sagger keeps off the smoke of the 444 THE FIRESIDE UNIVERSITY. firing. The firing goes on for over a day, and the cooling alsogoes forward slowly. Now, if the cup is good, it may be gilded.A band of gold leaf may be laid on the upper outer edge, onsizing, and the cup must be fired a second time, but in a moreopen kiln with less heat. After the cup comes out, the metalband must be polished with a hard stone instrument. Paintingmay be done over the glaze, and much of the early porcelainthat came from China was thus improved by French paint-ers, greatly reducing its present value to collectors. What were the medieval Western Potters doing ? They were making vases and ornamental articles. Famouspotteries existed on the Balearic Isles,

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Cool Plastic Molded Part images

Cool Plastic Molded Part images

A few nice plastic molded part images I found:

Printing the past: 3-D archaeology and the first Americans
plastic molded part
Image by BLMOregon
Photos were captured at the Pacific Slope Archaeological Laboratory on the Oregon State University Campus in Corvallis, Dec. 13, 2016, to accompany the feature story below: "Printing the past: 3-D archaeology and the first Americans." Article online here (and below): goo.gl/viKEZF

Photo by Matt Christenson, BLM
Story by Toshio Suzuki, BLM

—————————————-

For the first Americans, and the study of them today, it all starts with a point.

A sharp point fastened to a wooden shaft gave the hunter 13,000 years ago a weapon that could single-handedly spear a fish or work in numbers to take down a mammoth.

For a prehistoric human, these points were the difference between life and death. They were hunger-driven, handmade labors of love that took hours to craft using a cacophony of rock-on-rock cracks, thuds and shatters.

They have been called the first American invention, and some archaeologists now think 3-D scanning points can reveal more information about both the technology and the people.

The Pacific Slope Archaeological Laboratory at Oregon State University takes up only a few rooms on the ground floor of Waldo Hall, one of the supposedly haunted buildings on campus.

There are boxes of cultural history everywhere, and floor-to-ceiling wood cabinets with skinny pull-out drawers housing even more assets, but the really good stuff, evidence of the earliest known cultures in North America, lives in an 800-pound gun safe.

Loren Davis, anthropology professor at OSU and director of the lab, thinks 3-D scanning, printing, and publishing can circumvent the old traditions of the field, that artifacts are only to be experienced in museums and only handled by those who have a Ph.D.

“We are reimagining the idea of doing archaeology in a 21st century digital way,” said Davis. “We don’t do it just to make pretty pictures or print in plastic, we mostly want to capture and share it for analysis,” he added.

Nearby in the L-shaped lab, one of his doctoral students is preparing to scan a point that was discovered on Bureau of Land Management public lands in southeast Oregon.

Thousands of points have been unearthed since the 1930s in North America, the first being in eastern New Mexico near a town called Clovis. That name is now known worldwide as representing the continent’s first native people.

More recently, though, other peoples with distinctive points were found elsewhere, and some researchers think it means there was differing technology being made at the same time, if not pre-Clovis.

One such location is the Paisley Caves in southern Oregon ― one of the many archaeologically significant sites managed by the BLM.

The earliest stem point from Paisley Caves was scanned at Davis’ lab and a 3-D PDF was included in a 2012 multi-authored report in the journal Science.

Davis estimates his lab at OSU has scanned as many as 400 points, including others from BLM-managed lands in Idaho, Nevada, Oregon and Washington.

More scans would mean a bigger database for comparing points and determining what style they are.

“Ideally, we want to get as many artifacts scanned as possible,“ said Davis. “The BLM offers a lot of access to public data ― this is just another way of doing it.”

Transforming a brittle piece of volcanic glass, by hand, into a beautiful and deadly 4-inch-long spear point is a process.

In one hand would be a hard shaping rock, or maybe a thick section of antler, and in the other would be the starter stone, which in addition to igneous could be jasper, chert, or any other chippable rock that creates a hide-puncturing level of sharpness.

After what might be hundreds of controlled strokes and rock rotations, the rough shape of a lance or spear tip would take form. Discarded shards of stone would often result in more points, or other useful tools like scrapers and needles.

Clovis points are distinguished by their length, bifacial leaf shape and middle channels on the bottom called flutes. Eventually the repetitive flaking of the point would stop, and the hunter would use precise pressure points to create the flute on one or each side that likely helped slot the finished product into a spear-like wooden pole.

The hunter was now mobile and ready to roam.

Prior to 3-D scanning, OSU doctoral student Sean Carroll picks up a can of Tinactin, gives it the obligatory shake, and completely covers “one of the oldest technologies in North America” with antifungal spray.

The talc and alcohol from the athlete’s foot remedy helps the software see even the slightest indents in the point, and it rubs right off afterwards.

“I want to scan all the Clovis I can get my hands on,” said Carroll, who came to OSU because of Davis’ 3-D lab and is using the medium as a big part of his dissertation.

Two random items, a power plug adapter and a ball of clay, are placed on each side of the fluted point to give the camera and light projector perspective. The objects create margins that force the structured light patterns to bend and capture more of the point’s surface detail.

Even so, like the hunter rotating the shaping rock, the archaeologist has to rotate the foam square holding the three items. Each scan takes about six seconds.

Carroll and Davis estimate that the learning curve for this process was about 100 hours. One hundred hours of trial and error — and a lot of watching YouTube videos — for a finished product that they think is indisputably worth it.

A completed 3-D scan of a point will have about 40,000 data points per square inch. The measurements are so precise, they can determine the difference between flake marks as thin as a piece of paper.

Davis says no archaeologist with a pair of calipers can come close to measuring the data obtained via 3-D, because simply, “there are some jobs that robots are really good at.”

“If the end game is measurements, well you could spend your whole life with a pair of calipers trying to achieve what we can do in 10 minutes,” said Davis.

Last year, the famous human relative nicknamed Lucy had 3-D scans of her 3.2 million year old bones published in the journal Nature.

In 2015, archaeologists from Harvard University completed a 3-D scan of a winged and human-headed stone bull from Mesopotamia that stands 13 feet high at the Louvre Museum.

And the Smithsonian Institution is currently beta testing a website dedicated to publishing 3-D models from its massive collection, including molds of President Abraham Lincoln’s face and the entire Apollo 11 command module.

All of these new-school efforts are based upon the old-school scientific principles of preservation and promotion.

Rock points, fossils, hieroglyphics — various forms of cultural assets are susceptible to environmental conditions and not guaranteed to be around forever. Three-dimensional scanning is the most accurate way to digitally preserve these items of merit.

Once accurate preservation is done, there are opportunities for promoting not just science, but specific research goals.

In the case of the Lucy bones, scientists hope that crowdsourcing the 3-D data will help get more experts to look at the fossils and prove that the tree-dwelling ape died from a fall.

When it comes to comparing one specific stemmed point to an entire hard drive of scanning data, BLM archaeologist Scott Thomas thinks the work being done at the OSU lab can move archaeology to a new level.

“The 3-D scanning method blows anything we have done out of the water,” said Thomas.

That ability to compare points can lead to insights on how these hunting tools moved over geography, and even expand theories about how native groups learned new technologies.

“It’s going to be a really powerful tool someday — not too far off,” said Thomas.

While long-term data analysis may not be the sexiest form of archaeology, holding a 3-D printed stem point is a pretty cool educational tool.

Davis of OSU has incorporated 3-D prints into his classes and said his students are able to make a tactile connection with artifacts that otherwise are not available.

“The students really enjoy these printed and digital models and often say that they are almost like the real thing,” said Davis.

This spring, Davis is traveling to Magadan, Russia — aka Siberia — to inspect and scan some points that may be linked to Clovis peoples.

The goal in Siberia, of course, is to further expand the 3-D database. He is specifically interested in comparing them to stems from a BLM-managed site he excavated in Idaho called Cooper’s Ferry.

As his student, Carroll, begins to clean up and put the scanned points into their individually labeled ziplocked bags, Davis can’t help but mention how much easier international research could be with 3-D scanning.

“You can share cultural resource info with people in other countries and you don’t have to come visit,” he said, adding that Russia isn’t the easiest country to enter.

“It’s as easy as sending an email,” Carroll agreed.

Davis then mentioned his 11-year-old child and how much of school curriculum these days is web-based as opposed to text-based.

“There’s nothing wrong with books, I’m a huge fan of books, but it’s a different way of learning,” said the archaeology professor.

And with that, he made another point.

— by Toshio Suzuki, tsuzuki@blm.gov, @toshjohn

Best places to find 3-D archaeology online:
— Sketchfab.com is one of the biggest databases on the web for 3-D models of cultural assets. Institutions and academics alike are moving priceless treasures to the digital space for all to inspect. Two examples: via the British Museum, a 7.25-ton statue of Ramesses II is available for viewing and free download; and via archaeologist Robert Selden Jr., hundreds of 3-D models are open to the public for study, including several Clovis points from the Blackwater Draw National Historic Site in New Mexico.
— The Smithsonian Institution is bringing the best of American history to a new audience via their 3-D website (3d.si.edu). Amelia Earhart’s flight suit? Check. Native American ceremonial killer whale hat? Check. Face cast of President Abraham Lincoln? Check and check — there are two. And their biggest 3-D scan is still coming: the 184-foot-long space shuttle Discovery.
— Visitors to Africanfossils.org can filter 3-D model searches by hominids, animals and tools, and also by date, from zero to 25 million years ago.
The sleek website, with partners like National Geographic and the National Museums of Kenya, makes it easy to download or share 3-D scans, and each item even comes with a discovery backstory and Google map pinpointing exactly where it was found.