Cool Mold Chinese images

Cool Mold Chinese images

A few nice mold chinese images I found:

BK0021Y-Antique-Chinese-Ming-Cabinet
mold chinese
Image by Silk Road Collection
"The cabinet is designed in the classic Ming style-sleek, simple, and graceful. The medium-brown finish reveals the rosewood grains beautifully. The doors are attached by traditional wooden pegs. The molding and the legs are rounded and the front leg spandrels are slightly curved. Inside the cabinet are two ""finished"" storage areas and two drawers. The hardware is brass.
Two of these cabinets are currently available but can be sold separately. Price listed is for each cabinet."

Grass Mud Horse – a Maquette for Ai WeiWei
mold chinese
Image by melter
one finger salute from an empty Chinese handcuff. Cast iron base cast in green sand at Ox-bow in 2007, aluminum "finger" cast in 2012. Finger was cast in a burn out mold, using a bamboo Chinese handcuff (finger trap). You are only trapped if you resist in the way expected.

Leamington Spa Station – bridge on High Street in Leamington – Jordans Fireworks
mold chinese
Image by ell brown
This is Leamington Spa Station in Warwickshire.

I got here on a Chiltern Railways train from Solihull.

Was lucky that I had blue skys in Leamington, especially for an October day (have been having many blue sky days in October 2011).

The current Art Deco building was opened in 1939.

And is Grade II listed.

It was opened by the Great Western Railway to replace the original building of 1852.

The building was restored by 2008 by Chiltern Railways.

Grade II listing Leamington Spa Station, Including Attached Platform Structures, Royal Leamington Spa – British Listed Buildings

Main line station 1939 for Great Western Railway. Steel-framed sheathed in brick; faced with Portland stone above polished granite plinth; brick to rear/platform elevations. Flat roofs with parapet. Wooden sashes with stone architraves. Platform canopies steel girders with cast iron columns. Art Deco neo-classical style.
EXTERIOR: To forecourt, ENTRANCE RANGE of 3 storeys and 9 bays, LEFT RANGE of 2 storeys and 14 bays, and single storey RIGHT RANGE. ENTRANCE RANGE has advanced ground floor with granite plinth, rusticated Portland stone, and parapet. Main entrance has granite architrave, pair of glazed doors with side- and over-lights, horizontal mullions and ‘ENTRANCE’ in metal lettering flanked by three 6-over-9 sashes, all under glazed canopy. Above this, 5-part facade has central 3 bays defined by shallow pilasters with stepped vertical detailing, flanked by slightly taller and advanced single bay, then double end bays; all with 6-over-9 pane sashes to 1st floor, 3-over-6 pane sashes to 2nd floor, and projecting stepped cornice below parapet. ‘LEAMINGTON SPA STATION’ in sans serif lettering to parapet over central 3 bays. To right, single recessed bay blank above entrance. RIGHT RANGE has 1-storey subway entrance with 3 wide openings outlined in polished granite under 3 blind panels, inside walls canted to subway passage. LEFT RANGE has parapet roof above flat cornice, banded string course, and continuous polished granite plinth. Central bay advanced slightly with pair of 4-over-6 pane sashes above entrance with granite architrave. Two 6-over-9 sashes to otherwise mostly blank first floor, and 6-over-9 sashes to ground floor with secondary entrances to each end also within granite architraves. Far left is advanced with similar windows and door on return. Return elevations stone with brick to rear/platforms. INTERIOR: Booking Hall and subway tiled above granite plinth. Stairs to each platform with stick metal balusters, some wavy, and wooden handrails. Balustrade and newels at platform level have circular and wavy details.
PLATFORMS: 2 primary platforms ‘Down’ and ‘Up’ (to London), and 2 shorter platforms for stabling trains. The linear platform buildings have brick walls with granite plinth and cantilevered canopies edged with bargeboards and framed with steel girders springing from stone pilasters and stepped corbel blocks. Platform extends beyond the buildings where canopies are supported by paired cast-iron columns. Down platform has former telegraph room with wooden and glazed panelled entrance, waiting room, buffet, lavatories. Up platform has waiting room and service rooms. Wood framed glazed doors with metal mullions, handles and curved bars in a Deco style. Waiting rooms finished with wood architraves to doors and fixed pane with overlight windows to platforms, blocked fireplaces, coved and beamed ceilings, and fixed wooden bench seating. Buffet fully panelled with polished walnut, continuous bar similarly panelled below moulded edge, back bar; fireplace to north with mirror and panelled overmantle and fluted band to top. Lavatories with wooden doors and stone Deco style fireplaces. Some original benches with ‘GWR’ scrolled in supports on platforms.
HISTORY: This station replaced the 1853 Brunel station that was demolished in 1935, which had in turn replaced the large Georgian Eastnor Terrace.
SOURCES: Great Western Railway Magazine July 1937, December 1937, March 1940.
Royal Leamington Spa courier Nov. 13, 1936.

Took these as I was leaving Leamington.

Railway bridges under the station.

I would have got this bridge first, but I earlier went down Lower Avenue, so got it on the way back to the station.

Bridge on High Street in Leamington

Also passing under is Bath Street and Clemens Street.

A quick shot of Jordans Fireworks – not to long until this years Fireworks Night.

They sell Chinese Flying Lanterns and other fireworks types.

Cool Mold Makers China images

Cool Mold Makers China images

Check out these mold makers china images:

2017-08-04_2122i_chemher
mold makers china
Image by lblanchard
It’s a hard-knock life (for stuff)
What did the bookworm say to the library? It’s been nice gnawing you!

Okay, we admit: there’s nothing funny about destructive insects. Museums and libraries work hard to prevent pests from settling in — one reason why there’s no food and drink allowed in galleries.

You can see a latticework of holes in these encyclopedia volumes from Denis Diderot’s Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des metiers (Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts), published around 1780. These books were chomped by tunneling pests long before they came to our library. What we call "bookworms" can actually be one of several types of moths, beetles, or lice. They bore through leather and cloth bindings, or feed on the microscopic molds and fungi that grow inside books after exposure to moisture. In early modern China, some book-makers treated pages with arsenic to repel damaging insects. Today, infested collections may be treated with fumigation, but many conservators prefer to de-louse books using extreme temperatures — like freezing — rather than harsh chemicals.

Things Fall Apart: Exhibition at the Chemical Heritage Foundation Museum

Nice Mold Making China photos

Nice Mold Making China photos

A few nice mold making china images I found:

Ballerina Lea 2012
mold making china
Image by napudollworld
Both dolls are twins. Both are ballerina Lea 2012. The one wearing a blue dress is made in China while the one wearing a red dress is made in Indonesia. There is a difference in facial mold.

baby mantis made in china
mold making china
Image by greeneydmantis
for size comparison, this is the little "made in china" mold with the plastic plug to inflate the beach ball

Cool Mold Products images

Cool Mold Products images

A few nice mold products images I found:

Two free splicing blocks with each reel!
mold products
Image by Carbon Arc
Kodak 7-inch (17.8cm) tape reel, early 1960s. Along their well-known photographic and motion-picture products, Eastman Kodak also manufactured recording tape and tape reels.

One distinguishing feature of their tape reels was a splicing block molded into each side of the reel. Using special splicing tape and a single-edged razor blade according to instructions printed inside the box, hobbyists could splice their own tape the same way professionals did.

Cool Mold Chinese images

Cool Mold Chinese images

A few nice mold chinese images I found:

2016 – China – Beijing – Cloisonné – 1 of 5
mold chinese
Image by Ted’s photos – For Me & You
After we left the Badaling Great Wall we went to a cloisonné factory, shop and restaurant for lunch. After lunch we wandered around the shop and factory.

Cloisonné is colourful handicraft articles made by a complex manufacturing process. It includes inlaying thin gold threads or copper wires into various patterns, hammering the base, inlaying copper strips, soldering, filling with enamel, firing the enamel, polishing, gilding and adhering enamels of various colors to copper molds.

Introduced into the Middle Kingdom in the 13th century, this technique became a typically Chinese art. The technique remains common in China to the present day

Jardin Royal Chinese Restaurant Newbridge – County Kildare (Ireland)
mold chinese
Image by infomatique
Newbridge is a town in County Kildare, Ireland. Its population of 21,561 (2011 Census) making it the largest town in County Kildare and the 15th. largest in Ireland.

The town is located on the banks of the River Liffey, which provides a range of natural amenities. Upriver are towns such as Athgarvan, Kilcullen and Blessington, while downriver are the towns of Caragh, Clane and Celbridge.

Newbridge is bounded by the Curragh Plains to the west, Pollardstown Fen and the Bog of Allen and Moulds Bog to the north west. Around the Curragh, and to the east are many important stud farms.

To the south the motorway now forms a boundary to the town.

Today Newbridge is a thriving town with a population approaching 21,661, a major centre for industry and commerce, within the South Kildare region.

Latest Segment Mold Factory News

Latest Segment Mold Factory News

The Brolly Works, 78 Allison Street – corner of Well Lane and Allison Street – former factory
segment mold factory
Image by ell brown
This building is on Allison Street in Digbeth, corner of Well Lane. Near the Well Lane car park.

It is The Brolly Works at 78 Allison Street.

Factory with adjoining boundary wall and gateway. Built 1872 for Corder & Turley, manufacturers of umbrella ribs. Adapted 1923 as a clothing factory for Fawcett Bros. , and in 1975 as a food processing factory for RTP crisps. Alterations and additions 1896 by Cross Franklin and 1923 by Ewan Harper Bros. & Co. Earlier ranges in L-plan fronting Allison Street and Well Lane; C20 ranges at the rear, parallel to Allison Street, linked to the front range and enclosing a courtyard.
1872 range, Gothic Revival style, red brick, with terra cotta dressings, some painted, and Welsh slate roofs. Several side wall and ridge stacks, mostly capped. Plinth, intermediate cornices and impost bands to upper floors, dentillated eaves.
3 storeys; 16 x 9 windows. Windows are mainly original cast-iron glazing bar casements with serrated segmental pointed heads to the ground floor , and serrated pointed arches above. Main frontage to Allison Street has approximately central feature, 2 windows, with enrichment on the upper floors, under a heavily ornamented coped gable with a cusped round window containing patterned stained glass. Ground and second floors have standard windows; first floor has round arched windows flanked by enriched panelled pilasters and swags.
Ground floor has to left a segmental pointed cart opening with a pair of doors, then 5 windows, one enlarged, then a pointed arched doorway and fanlight under a gable. Beyond, 2 windows, one wider, and a small square-headed window at the corner. To right, 4 windows, then a small flat-headed window, then a doorway and a reglazed window. Above, on each floor, to left, 8 windows, those to the first floor reglazed, and to right, 6 windows arranged 4/2.
Beyond, to right, coped brick boundary wall with roller shutter door, C20, and entrance, C20, with flat gable.
Left corner has on the first floor a canted oriel window, rebuilt in plastic late C20, on original moulded masonry bracket.
Left return, to Well Lane, has similar regular fenestration, with reglazed windows to the first floor .
Rear elevation has mainly original regular fenestration, with segmental headed openings. Several segmental pointed openings to the ground floor . Beyond, to left, addition, late C19, 2 storeys, 8 windows. Segment headed openings to the ground floor, with cast iron glazing bar casements. Above, 7 steel framed casements, C20.
C20 ranges, red brick, have concrete lintels and coated slate roofs. Large steel framed casements with glazing bars, divided by brick pilasters. 3 storeys; 7 x 3 windows. Courtyard frontages have regular fenestration, the ground floor windows obscured. North range, fronting loading bay, 5 x 2 windows, has roller-shutter doors to the ground floor, divided by concrete pilasters .
INTERIOR: 1872 range has wooden floors carried on lengthwise beams and round cast iron columns. Single purlin roof. Trusses with diagonal struts and vertical tie rod held in cast iron shoe at ridge. C20 ranges have clear floor spans and angle-iron roof trusses.

Clearly it is no longer a factory of anything anymore. I think it has 1 bedroom apartments in it now (for city centre living).

Cool Mold Manufacture Factory images

Cool Mold Manufacture Factory images

A few nice mold manufacture factory images I found:

Inns of Court, Inns Court Green, Bristol, BS4
mold manufacture factory
Image by brizzle born and bred
Anyone remember Inns of Court, public house? (now demolished)

www.flickr.com/photos/brizzlebornandbred/2056912700/

Inns Court and Filwood farms have medieval origins. The surviving parts of Inns Court, originally Inyn’s Court, are now part of the former Holy Cross Inns Court Vicarage and the staircase turret is now a Grade II* listed building.

The area called Knowle West today was predominately rural; the area consisted largely of agricultural and allotment land interrupted by a handful of small farmhouses (Filwood Farm, Inns court cottage, Hengrove House etc.), and the Nover’s Hill Isolation Hospital. The small settlements in the area existed at least from the medieval period and have undergone only gradual change.

Inns court, built in the 1960s, departed from the garden city layout. It was developed on Radburn principles, named after an American Town designed by clarence Stein and Henry Wright in 1929. In principle, Radburn estates were built with the intention to create neighourhoods that were economically viable communities, accommodating modern lifestyles whilst providing amenities of open space and community services. common features were grouped houses arranged around a cul-de sac street layout thus the street layout broke away from the conventional street grid pattern.

This was replaced by short cul-de-sacs accessed off a circuitous feeder road which in our context is Inns court Drive. Pedestrians were widely segregated from vehicular traffic.

APART from Bedminster, which would appear to date back to Saxon times, not much is known about the early history of south Bristol.

But 30 years ago archaeologists discovered evidence of a Roman settlement – ditches, foundations and a cobbled area – beneath Filwood playing fields. Other finds, from the same area, were discovered during building work in 1973.

Much further back in time, in 1869 in fact, an urn stuffed with “thousands of coins” was unearthed near a small stream on Filwood Farm, near Hengrove Way.

Other buildings from the Roman period had been found at Brislington (a villa) Bedminster Down (coffin and a villa) Gatcombe at Long Ashton (possible weapons manufacture and storage) and at Lyons Court Farm, Whitchurch (coffins, coins and coin moulds).

Another Roman site, possibly a farmstead, was discovered fairly recently in West Street, Bedminster.

In 1997 yet another Roman settlement was found in Knowle West, near to a medieval manor house known as Inns Court. Here, buried outside the foundations of one of the buildings, was the grave of a young female, surrounded by coffin nails.

All the evidence would seem to suggest a small village made up of separate farm buildings. The same excavation also revealed some 14th and 15th-century sections of Inns Court, which, in its time, had been surrounded by over 100 acres of farmland. This building takes its name from Sir John Inyn, Lord Chief Justice of the King’s Bench, whose substantial family home this was and who died here, leaving behind his wife, Alice, daughter, Elizabeth and a son, in 1440.

Sir John, who held high public office under both King Henry V and King Henry IV, was the Recorder of Bristol.

One of his many duties – and one which no doubt took him away from home for long periods – was King’s Assessor to the Duchy of Cornwall.

An important man in his time, you can see his brass memorial (he is in his judge’s robes) in the Lady Chapel of St Mary Redcliffe Church.

The manor house continued to be lived in by Sir John’s descendants until 1529 when it passed to the Kenn family and then, in 1614, to the Poulett family, who, through marriage, owned extensive lands throughout Somerset.

But after being let to tenants the property slowly went into a decline before being sold, in Victorian times, to a Bridgwater man, Thomas Daniel. Daniel, who also let out the manor house, took down most of the old medieval building and replaced it with a far more practical farmhouse.

This, in its turn, was demolished to make way for a vicarage, community centre and a church, Holy Cross – part of the post-war Knowle West housing estate.

A surviving part of the medieval court, however, an octagonal 15th-century stair turret, was incorporated into the new vicarage. In fact it’s a miracle that this bit of heritage survived at all – it took a protest in the Times newspaper to shame the church authorities into preserving it.

Although it has been given a Grade II* listing the building, now empty and disused, has been placed on English Heritage’s “At Risk” register.

As no complete ground plan (or proper documentary record) survives for the old house, we only have a vague idea as what it looked like in Sir John’s time.

The mansion, which was reached by a long track from Lock’s Mills, now buried under Hartcliffe Way, also incorporated a small house and garden in Crox Bottom, near the old Wills’ factory.

In Anglo-Saxon times Filwood (Knowle West) was part of the Kingswood Forest, a royal hunting estate which encompassed large areas of South Gloucestershire and North Somerset.

At the time of the Domesday survey (1086AD) the Inns Court area was part of Bishopsworth (the “Bishop’s Place”) and firmly in Somerset.

Despite the industrial and housing expansion of nearby Bristol, the area remained rural, working farmland, for many hundreds of years.

It included Filwood Farm (demolished in the 1940s) and Inns Court Farm, which both had medieval origins.

The 1930s saw massive, inner city, slum clearances by the Corporation of Bristol.

Just before the outbreak of the Second World War, they decided that they would buy land here, including Inns Court, and develop the area for new homes.

It became known as Filwood, or more popularly, Knowle West. In the early 1970s, a new wave of development, based on a cul-de-sac type layout, was pioneered at Inns Court.

But this has proved unsatisfactory and the estate is now threatened with demolition and a possible long-term rebuilding programme.

What will happen to the remains of Inns Court itself remains to be seen, but it’s vital, given it’s heritage, that it’s preserved in any new development.

If you would like to know more about Roman settlements in the area, and the history of Inns Court, then there is an excellent booklet by Reg Jackson available from Bristol’s M shed museum.

It’s published by Bristol and Region Archaeological Services.