Good Mold Chinese photos

Good Mold Chinese photos

Some cool mold chinese photos:

Vides, par Franck Vervial
mold chinese
Image by Franck Vervial
Ghost au Tri Postal de Lille

Prise à l’exposition &quotSur la Route de la Soie&quot (jusqu’au 16 janvier 2011).
www.lille3000.eu/lille3000/fr/event.php?id=26&ampnom=SAA…

Taken at the exhibition &quotSur la Route de la Soie&quot (On the Silk Road) (till Jan 16 2011).
www.lille3000.eu/lille3000/uk/event.php?id=26&ampnom=SAA…

Kader Attia
Né en 1970 à Dugny (France),
vit et travaille à Berlin (Allemagne) et à Alger (Algérie).

Born in 1970 in Dugny (France),
lives and functions in Berlin (Allemagne) and Alger (Algérie).

Réalisées en papier d’aluminium et moulées sur des modèles vivants, ces 560 sculptures aux allures féminines peuvent représenter une foule dans le recueillement. Telles des fantômes, ces silhouettes creuses et éphémères soulignent la vulnérabilité de la condition humaine. Remplissant l’espace de vide, l’artiste se réfère à la citation du philosophe Lao Tseu :
&quotL’homme crée des choses, mais c’est le vide qui leur donne du sens&quot.

L’installation a été spécialement réalisée pour l’exposition au Tri Postal, avec la participation d’étudiants d’écoles d’art et d’universités de la région Nord-Pas de Calais.

Produced of aluminium foil and molded on actual men and women, these 560 feminine sculptures represent a crowd in meditatio. Like ghosts, these hollow vacants shells, highlight the vulnerability of the human condition. By filling the vacuum space, the artist refers to the quotation from Chinese philosopher Lao Tseu:
&quotMan creates issues but it is the emptiness that gives them meaning.&quot

The installation was recreated by the artist in situ for the Tri Postal, with the participation of sutdentsfrom art schools and universities in the Nord-Pas de Calais area.

To comply with me on Facebook : , click &quotI like / J’aime&quot on MY FACEBOOK Page

sc1007y-antique-asian-wardrobe-cabinet
mold chinese
Image by Silk Road Collection
Antique Chinese Two Door Armoire Cabinet
Classic beauty and generous storage. The antique Chinese armoire cabinet is crafted in a classic style. Notice the rounded molding on every panel of this two door cabinet. The cabinet’s shelves location a perfect for storing garments and the bottom region is a wonderful location to store footwear and purses. Can also be used as an entertainment or media cabinet. The center door rod can effortlessly be attached to either of the two doors. The finish is a medium-brown.
More Info: www.silkroadcollection.com/sc1007y-antique-asian-wardrobe…

DSC01261
mold chinese
Image by lyng883
Shanghai Moon – is one particular of those couple of restaurants whose interior decor alone is worth the trip. And if you go in the middle of the evening you can have the place to yourself. It really is open 24-hours a day. From the elevator, comply with the thinning red carpet down the hall and into the ballroom-style dining area, exactly where the carpet springs back to life in a swirl of red, blue and cream. Pick 1 of the mismatched embroidered chairs and sit down to a quintessential Chinese table, a pink carnation in a glass vase and a red tablecloth. See the majestic and old-fashioned surroundings: the antiques, the chandeliers, the grand ceiling with distinctive molding and alcoves with velvet curtains. On the walls, there are pictures of Shanghai circa 1840s-1950s showing the each day landmarks of the era (the 1st division store, the initial cinema, the Huangpu full of canoe-sized boats) as well as landmark events like Prince Chun of the Qing Dynasty’s parade down Nanjing Xi Lu. The menu is full of your normal Shanghainese fare, with a bit of Cantonese influence

Cool Mold Chinese pictures

Cool Mold Chinese pictures

Verify out these mold chinese images:

Image from page 110 of “Dreer’s garden book 1915” (1915)
mold chinese
Image by Web Archive Book Photos
Identifier: dreersgardenbook1915henr
Title: Dreer’s garden book 1915
Year: 1915 (1910s)
Authors: Henry A. Dreer (Firm) Henry G. Gilbert Nursery and Seed Trade Catalog Collection
Subjects: Seeds Catalogs Nursery stock Catalogs Gardening Equipment and supplies Catalogs Flowers Seeds Catalogs Vegetables Seeds Catalogs Fruit Seeds Catalogs
Publisher: Philadelphia, Pa. : Henry A. Dreer
Contributing Library: U.S. Division of Agriculture, National Agricultural Library
Digitizing Sponsor: U.S. Division of Agriculture, National Agricultural Library

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Photos: All Photos From Book

Click here to view book on the web to see this illustration in context in a browseable on-line version of this book.

Text Appearing Before Image:
103

Text Appearing Soon after Image:
Big-flowering Chinese Primrose. PRIMULA Primrose). The charming and gorgeous Chinese Fringed Primroses andObconica varieties are indispensable for winter or spring decora-tions in the house or conservatory. They are a single of the mostimportant winter blooming pot plants. The seed we offer you is ofthe highest merit, and has, as usual, been saved from the beststrains of English and Continental growth. Florists aiid othersreport that they have never ever observed finer flowers than those pro-duced from our seed. Sow in March, April or May possibly, The hardyvarieties offered on opposite web page are also deserving of widecultivation. PRIMULA OBCONICA. These are of the easiest culture in greenhouse or light window of dwellinghouse, flowering abundantly and constantly with tiny care, and must besown for the duration of the spring in good ]5orous loam. They will not germinate wellin any compost containing peat or leaf mould. To develop the colors to thehighest degree, develop in heavy soil, and at a temperature as close to 60 deg

Note About Pictures
Please note that these photos are extracted from scanned web page images that may possibly have been digitally enhanced for readability – coloration and appearance of these illustrations could not completely resemble the original perform.

Cool Mold Chinese images

Cool Mold Chinese images

Some cool mold chinese pictures:

Image from page 58 of “Metals and metal-working in old Japan” (1915)
mold chinese
Image by Net Archive Book Photos
Identifier: metalsmetalworki00gowl
Title: Metals and metal-operating in old Japan
Year: 1915 (1910s)
Authors: Gowland, William, 1842-1922 Japan Society of London
Subjects: Art metal-function Metallurgy Metal-function
Publisher: [London? : s.n.]
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Photos: All Pictures From Book

Click right here to view book on the web to see this illustration in context in a browseable online version of this book.

Text Appearing Prior to Image:
Chinese Smiths Forging an Anchor. It represents the forgings of a ships anchor in the sixteenthcentury, taken from an old Chinese metallurgical treatisepublished in 1636 a.d. The heavy mass was suspended by chains, which have been heldby eight men stationed in a gallery, who moved it about onthe anvil as essential by the smiths. Cast-iron.Cast-iron does not appear to have been recognized to theJapanese in prehistoric times it is, nonetheless, recorded that inthe year 700 a.d. a regulation was created restricting to theGovernment the coinage of cast-iron coins, a date muchearlier than its use in Europe.

Text Appearing Following Image:
Q V . O 1^ SOo i 53 ) The last problem of these iron coins was produced some years ago and even though they are not in circulation as legal currency,they are still extensively utilized for contributions to offertoriesand collections at religious services. I could add that twothousand can be purchased for sixpence, so that donations maybe made by the most parsimonious. Two common lanterns (toro) at Nikko are the only largeart objects of cast-iron identified to me. They had been presented tothe shrine in 1641 by Date Masamune, lord of Sendai. The metal has been chiefly employed by the art craftsmanin little castings, such as kettles and other vessels for heatingwater or w^ine, and many of these are masterpieces of modellingand decoration. They are cast by the approach of cera pevdiita, aprocess which will be described when.daaling with the casting ofbronze. When these castings are taken from the moulds inwhich they have been cast, though they may be ideal so faras the ornamental styles, which had been modell

Note About Pictures
Please note that these images are extracted from scanned page pictures that may have been digitally enhanced for readability – coloration and appearance of these illustrations might not completely resemble the original work.

cn1009y-antique-ming-style-wood-bench
mold chinese
Image by Silk Road Collection
Classic Chinese Bench
Classic Ming-style Chinese bench with straightforward and elegant design. Notice the natural flow of the geometric patterns of straight lines, squares and rectangles. The seating location has a floating panel, with an indented molding. The legs end in a horse hoof style. The light brown finish permits the wood grain to show beautifully. In addition to supplying bench seating, it would also operate as a tiny coffee table and at the end of a bed.
www.silkroadcollection.com/cn1009y-antique-ming-style-woo…

NYC – Metropolitan Museum of Art – Iris and B. Gerald Cantor Roof Garden – Frank Stella on the Roof – Adjoeman
mold chinese
Image by wallyg
From May 1, 2007 to October 28, 2007, the exhibit, Frank Stella on the Roof was on show in the the Iris and B. Gerald Cantor Roof Garden–an installation of current functions in stainless steel and carbon fiber by the prolific American artist Frank Stella. Because his initial showings in New York in the late 1950s, Stella has occupied a prominent location among leading artists and has continued to expand the boundaries of what abstract painting and sculpture can be. Stella’s fame was cemented by early retrospectives at the Museum of Contemporary Art. This exhibition, in tandem with Frank Stella: Painting into Architecture, marks the artist’s first solo presentation at the Metropolitan.

Chinese Pavilion (2007, nevertheless in progress right here, model here), a carbon epoxy composite, is the centerpiece of the exhibit and has never ever just before been exhibited. The structure of the piece explores the sort of leaf formation that has been a single of the artist’s chief architectural themes. There are other sculptures there, which includes two much more oversized pieces — &quotadjoeman&quot (pictured here, which means &quotshowing off&quot or &quotdecorative&quot in Balinese) and &quotmemantra&quot (which indicates the &quotverbal form of mantra, a prayer or incantation&quot) — both produced of some of the very same stuff utilised to construct stealth bombers, stainless steel and carbon fiber.

The Metropolitan Museum’s Iris and B. Gerald Cantor Roof Garden opened to the public in 1987. Annual installations have featured selections of contemporary sculpture from the Museum’s collection and, most lately, presentations of operates by person artists. Frank Stella on the Roof will mark the tenth annual single-artist installation on the Roof Garden.

**
The Metropolitan Museum of Art‘s permanent collection contains much more than two million functions of art from about the globe. It opened its doors on February 20, 1872, housed in a constructing located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, speedily outgrew the available space. In 1873, occasioned by the Met’s buy of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Even so, these new accommodations were temporary following negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone &quotmausoleum&quot developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures nearly a quarter mile extended and occupies more than two million square feet, far more than 20 occasions the size of the original 1880 building.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favored Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

Good Mold Chinese photographs

Good Mold Chinese photographs

A few nice mold chinese photos I identified:

Jingdezhen Chinese Porcelain Vase_jv1014y
mold chinese
Image by Silk Road Collection
Distinctive hand-thrown and hand-decorated Jingdezhen porcelain, after prized by the imperial courts of China, are now accessible to you from Silk Road Collection. This vase is gourd shape. The interior is white and the exterior is mustard yellow-with swirls embossed straight into the glaze. Beautifully raised, hand-painted black and white cranes grace the surface, along with delicate pink flowers and green leaves. The city Jingdezhen, China has been known as the “Porcelain Capital of China” for over 1,700 years, originating in the course of the Han Dynasty. The particular clay identified in the surrounding mountain locations of this south-eastern region of China provides the essentials ingredients of the world-famous Jingdezhen porcelain.
Silk Road Collection has partnered with tiny businesses of family artisans from Jingdezhen to select its unique collection of vases, bowls and other porcelains. Each and every piece is hand-thrown (not cast from a mold) from clay, kiln fired, and then hand-painted creating a a single-of-a-type, planet-class treasure. Even though some artisans now use electric wheels and kilns, numerous households nonetheless employ their ancient hand-thrown tactics and wood-fired kilns. In London in 2005, a Jingdezhen blue and white porcelain jar from the Yuan Dynasty (1279-1368) sold for over Million – the highest value achieved by a piece of porcelain in the history of all porcelain auctions.

DSC01267
mold chinese
Image by lyng883
Shanghai Moon – is a single of those few restaurants whose interior decor alone is worth the trip. And if you go in the middle of the evening you can have the place to your self. It really is open 24-hours a day. From the elevator, comply with the thinning red carpet down the hall and into the ballroom-style dining room, where the carpet springs back to life in a swirl of red, blue and cream. Pick a single of the mismatched embroidered chairs and sit down to a quintessential Chinese table, a pink carnation in a glass vase and a red tablecloth. See the majestic and old-fashioned surroundings: the antiques, the chandeliers, the grand ceiling with distinctive molding and alcoves with velvet curtains. On the walls, there are photographs of Shanghai circa 1840s-1950s displaying the daily landmarks of the era (the initial department retailer, the very first cinema, the Huangpu complete of canoe-sized boats) as effectively as landmark events like Prince Chun of the Qing Dynasty’s parade down Nanjing Xi Lu. The menu is complete of your regular Shanghainese fare, with a bit of Cantonese influence

NYC – Metropolitan Museum of Art – Shadakshari Lokeshvara with Deities and Monks
mold chinese
Image by wallyg
Shadakshari Lokeshvara with Deities and Monks
late 15th century, Tibet
Distemper and gold on cloth 40 3/eight x 31 1/four in. (102.five x 79.four cm)

Shadakshari Lokeshvara is a form of the merciful and compassionate Bodhisattva Avalokiteshvara. The &quotpatron saint&quot of Tibet, he is identified as the Lokeshvara of the Six Mystical Syllables: om mani pad me hum (Hail to the jewel in the lotus). All Dalai Lamas are believed to be manifestations of this deity.

Against a gold background, Shadakshari Lokeshvara is seated cross-legged on a lotus pedestal. The four-armed deity holds his usual attributes, a rosary and a lotus, and has two hands in the position of adoration. He is surrounded by thirty-three Buddhist divinities and monks placed among stylized clouds.

The fine line drawing, almost total absence of color, the therapy of the cloud patterns, and the dragon in the reduce correct corner are indications of the influence of early Ming-period Chinese art. The flowing draperies and billowing lotus flowers are also departures from the a lot more stylized, significantly less naturalistic depictions in both Indian and Nepalese art, the two main sources of early Tibetan painting.

Present of Margery and Harry Kahn, 1985 (1985.390.three)

**
The Metropolitan Museum of Art‘s permanent collection includes far more than two million operates of art from around the globe. It opened its doors on February 20, 1872, housed in a developing located at 681 Fifth Avenue in New York City. Beneath their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mainly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nevertheless, these new accommodations have been temporary after negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it built its permanent property, a red-brick Gothic Revival stone &quotmausoleum&quot developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures virtually a quarter mile lengthy and occupies a lot more than two million square feet, far more than 20 occasions the size of the original 1880 constructing.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

Nice Mold Chinese photographs

Some cool mold chinese photos:

NYC – Metropolitan Museum of Art – Shadakshari Lokeshvara with Deities and Monks
mold chinese
Image by wallyg
Shadakshari Lokeshvara with Deities and Monks
late 15th century, Tibet
Distemper and gold on cloth 40 3/eight x 31 1/4 in. (102.5 x 79.four cm)

Shadakshari Lokeshvara is a kind of the merciful and compassionate Bodhisattva Avalokiteshvara. The &quotpatron saint&quot of Tibet, he is known as the Lokeshvara of the Six Mystical Syllables: om mani pad me hum (Hail to the jewel in the lotus). All Dalai Lamas are believed to be manifestations of this deity.

Against a gold background, Shadakshari Lokeshvara is seated cross-legged on a lotus pedestal. The four-armed deity holds his usual attributes, a rosary and a lotus, and has two hands in the position of adoration. He is surrounded by thirty-3 Buddhist divinities and monks placed among stylized clouds.

The fine line drawing, virtually total absence of colour, the therapy of the cloud patterns, and the dragon in the reduce appropriate corner are indications of the influence of early Ming-period Chinese art. The flowing draperies and billowing lotus flowers are also departures from the a lot more stylized, much less naturalistic depictions in each Indian and Nepalese art, the two principal sources of early Tibetan painting.

Present of Margery and Harry Kahn, 1985 (1985.390.three)

**
The Metropolitan Museum of Art‘s permanent collection contains a lot more than two million operates of art from about the planet. It opened its doors on February 20, 1872, housed in a constructing positioned at 681 Fifth Avenue in New York City. Below their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the accessible space. In 1873, occasioned by the Met’s acquire of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nonetheless, these new accommodations had been temporary right after negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it constructed its permanent property, a red-brick Gothic Revival stone &quotmausoleum&quot developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures practically a quarter mile lengthy and occupies more than two million square feet, much more than 20 instances the size of the original 1880 creating.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Preferred Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

Jingdezhen Chinese Porcelain Vase_jv1014y
mold chinese
Image by Silk Road Collection
Distinctive hand-thrown and hand-decorated Jingdezhen porcelain, after prized by the imperial courts of China, are now available to you from Silk Road Collection. This vase is gourd shape. The interior is white and the exterior is mustard yellow-with swirls embossed straight into the glaze. Beautifully raised, hand-painted black and white cranes grace the surface, along with delicate pink flowers and green leaves. The city Jingdezhen, China has been recognized as the “Porcelain Capital of China” for more than 1,700 years, originating throughout the Han Dynasty. The unique clay identified in the surrounding mountain places of this south-eastern area of China provides the essentials components of the planet-famous Jingdezhen porcelain.
Silk Road Collection has partnered with tiny firms of loved ones artisans from Jingdezhen to pick its exclusive collection of vases, bowls and other porcelains. Every piece is hand-thrown (not cast from a mold) from clay, kiln fired, and then hand-painted producing a one-of-a-kind, planet-class treasure. Whilst some artisans now use electric wheels and kilns, many households still employ their ancient hand-thrown tactics and wood-fired kilns. In London in 2005, a Jingdezhen blue and white porcelain jar from the Yuan Dynasty (1279-1368) sold for more than Million – the highest value accomplished by a piece of porcelain in the history of all porcelain auctions.

DSC01267
mold chinese
Image by lyng883
Shanghai Moon – is one of those handful of restaurants whose interior decor alone is worth the trip. And if you go in the middle of the night you can have the place to oneself. It’s open 24-hours a day. From the elevator, comply with the thinning red carpet down the hall and into the ballroom-style dining space, where the carpet springs back to life in a swirl of red, blue and cream. Pick one of the mismatched embroidered chairs and sit down to a quintessential Chinese table, a pink carnation in a glass vase and a red tablecloth. See the majestic and old-fashioned surroundings: the antiques, the chandeliers, the grand ceiling with distinctive molding and alcoves with velvet curtains. On the walls, there are photos of Shanghai circa 1840s-1950s showing the everyday landmarks of the era (the very first department shop, the 1st cinema, the Huangpu complete of canoe-sized boats) as effectively as landmark events like Prince Chun of the Qing Dynasty’s parade down Nanjing Xi Lu. The menu is complete of your normal Shanghainese fare, with a bit of Cantonese influence

Good Mold Chinese photos

A handful of nice mold chinese images I located:

NYC – Metropolitan Museum of Art: Guardian Figure
mold chinese
Image by wallyg
Pair of Guardian Figures
Tang dynasty, ca. late 7th-first half of the 8th century
Earthenware with remains of the pigments

The foreign facial attributes of this pair (see the other) of brilliantly sculpted guardian figures evidence of the strong Western presence in Tang-dynasty China. Originating in the Lokapala deity of the Buddhist religion, which came to China from the West, this sort of armored tomb guardian had an apotropaic function in Chinese burials.

Anoymous loan (L.2000.3.four, .five)

**
The Metropolitan Museum of Art‘s permanent collection includes far more than two million operates of art from about the world. It opened its doors on February 20, 1872, housed in a constructing positioned at 681 Fifth Avenue in New York City. Below their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mainly European paintings, quickly outgrew the accessible space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nevertheless, these new accommodations had been short-term following negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it constructed its permanent residence, a red-brick Gothic Revival stone &quotmausoleum&quot made by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures practically a quarter mile long and occupies more than two million square feet, much more than 20 occasions the size of the original 1880 constructing.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favourite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

NYC – Metropolitan Museum of Art: Astor Court – Cold Spring Pavilion
mold chinese
Image by wallyg
Historically, the finest scholars’ gardens of China have been in Suzhou (soochow), a serene city inland from Shanghai. The design of the Astor Court is based on a courtyard in the Garden of the Master of the Fishing Nets (Wangshi Yuan) in Suzhou. Like its model, this court has 3 common garden structures: a covered walkway, a small reception hall, and a half-pavilion along the west wall. Cold Spring Pavilion, identified by a tile plaque set in the wall, requires its name from the nearby pool. The exuberant upsweep of the roof corners is characteristic of Chinese architecture in the south.

Gray terracotta was a popular developing material in Chinese gardens. In this court, the bricks are arranged in alternating sets of four the huge suqare floor tiles the doorframes, the low balustrades, and the trim along the tops of the walls are all low-fired unglazed ceramic specially created for the Astor Court at an eighteenth-century imperial kiln close to Suzhou. The granite slabs and the wood components had been also crafted in China ccording to classic tactics. The elements were installed by a team of twenty-seven Chinese engineers and craftsmen who worked at the Museum from January by way of May 1980.

The Ming’s Scholar’s retreat, a garden court and reception hall, was the notion of Brooke Russell Astor and became a reality simply because of her steadfast and generous support.

**
The Metropolitan Museum of Art‘s permanent collection contains more than two million operates of art from about the globe. It opened its doors on February 20, 1872, housed in a creating located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 largely European paintings, quickly outgrew the accessible space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Even so, these new accommodations were short-term soon after negotiations with the city of New York, the Met acquired land on the east side of Central Park, exactly where it constructed its permanent home, a red-brick Gothic Revival stone &quotmausoleum&quot created by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures virtually a quarter mile extended and occupies more than two million square feet, far more than 20 times the size of the original 1880 constructing.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

NYC – Metropolitan Museum of Art – Elegant Gathering in the Apricot Garden
mold chinese
Image by wallyg
Elegant Gathering in the Apricot Garden
Ming dynasty, ca. 1437
Following Xie Huan (Chinese, ca. 1370ca. 1450)
China
Handscroll ink and colour on silk

This painting documents a historical gathering of nine scholar-officials enjoying cultural pursuits whilst savoring spring weather in the Apricot Garden in Beijing on April 6, 1437. The host, Yang Rong, seated in front of an ornamental rock, has thoughtfully offered scholarly amusements, such as antiques, paintings, brushes and ink, and games, for his illustrious guests.

These portraits of prestigious court officials depict them safe in their positions and in total harmony with their surroundings. The meticulous attention to every single individual’s facial characteristics as effectively as the varied, descriptive brushwork in the rocks and trees in the surrounding garden are common of early Ming court taste.

Mounted following the painting are poems composed by all of the participants to commemorate this gathering, starting with a preface inscribed in a dignified clerical script by Yang Shiqi (13651444), the oldest member in attendance and, as chief advisor to the emperor, the highest-ranking government official of his day. An inscription by Weng Tonghe (18301904) on the brocade mounting preceding the painting identifies all the participants. Based on a composition by the noted court painter Xie Huan, the painting is most probably a contemporary copy produced for one particular of the other participants at the gathering.

Buy, The Dillon Fund Gift, 1989 (1989.141.3)

**
The Metropolitan Museum of Art‘s permanent collection contains more than two million functions of art from around the planet. It opened its doors on February 20, 1872, housed in a constructing positioned at 681 Fifth Avenue in New York City. Beneath their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the obtainable space. In 1873, occasioned by the Met’s acquire of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. Nevertheless, these new accommodations were short-term following negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it constructed its permanent house, a red-brick Gothic Revival stone &quotmausoleum&quot developed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures virtually a quarter mile long and occupies much more than two million square feet, a lot more than 20 instances the size of the original 1880 developing.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favourite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

Nice Mold Chinese images

Nice Mold Chinese images

Verify out these mold chinese pictures:

2014-11-29 – 001-007 – HDR – Longsword
mold chinese
Image by vmax137
My Rawlings synthetic longsword with a steel crossguard and aluminum pommel for weight. Dogtags for scale, books for learning, and Skyrim with some metal for motivation.

TLDNR: All sword simulators from wood to blunts have their use in recreating the treatises. For me this synthetic longsword is safer and more realistic than the wooden waster that Arya was using in Game of Thrones but it’s far more inexpensive and safer than very good blunt steel sparring swords such as Federschwerts. At USD for the price tag it really is a excellent sword simulator for newcomers. Much more advanced students will uncover steel Feders to be a better option.

A Feder with a soft steel blade from Hanwei is about USD but expect excellent ones from Albion and Regenyei Armory to start off at about USD and up. Finally I’m not a lawyer so please verify the *written* nearby laws on regardless of whether transporting a covered sharp sword in public is legal or if a sword-shaped foam would be considered a weapon. In the United States city, county, and state laws can differ from every other.

Some German longsword action using Federschwerts and blunts:
www.youtube.com/watch?v=ohmLaZHStmI

Some Italian longsword action making use of Federschwerts:
www.youtube.com/watch?v=3WCgubznOlI

I am not familiar with Talhoffer but the controversial John Clements performs this quite interesting interpretation of half-swording:
www.youtube.com/watch?v=vi757-7XD94

Ok it is going to be asked: yes you can grab sharp blades on some swords with out cutting your self if you avoid the edges or if stress is applied to avert slipping (but don’t do this with out instruction by instructors!!):
www.youtube.com/watch?v=vwuQPfvSSlo

**Thank You Lindybeige, Skallagrim, and Scholagladiatoria**

I was reading a gaming forum on Guy Fawkes Day when the discussion of throwing knives behavior in the V for Vendetta movie led me to Lindybeige’s YouTube channel. While clips of his swing dance and wargame modeling have been interesting the main draw was the discussion of weapons and a variety of historical subjects in bite-sized servings. Indirectly I found Skallagrim’s channel from associated videos and topic searches exactly where he assisted by his wife Cara introduced and explain standard historical combat in a really simple to comprehend manner. Scholagladiatoria’s videos usually appear as well with even much more in-depth discussions.

Although there may be disagreements in opinion they correspond with each and every other cordially by offering various viewpoints and are generally the three advisable channels when discussing historical European combat in English. So even even though I was quite aware of the New York Instances video article on Longpoint 2014 back in September, thank you guys for displaying that any individual can pick up a longsword simulator and have a go with it in about a week right after watching a couple of videos.

I am paying it forward with this lengthy assessment for all those who do not know about Historical European Martial Arts or HEMA.

Some Background

Let me preface this that I’ve just began and know most likely as much as a person who have taken a short introductory session. I have never held a museum sword piece or even fine replicas such as those from Albion despite the fact that I have encounter wall hangers, poor heavy replicas, and other Sword-Like Objects.

Clearly there is considerably a lot more than longswords with Historical European Martial Arts or HEMA covering polearms, bows, and even WW2 bayonets. I decided that the longsword is a very good location to start off from as there are several treatises on it, is regarded as a good foundation to have that can be employed for other arms, and is two-handed so the physical and mental barrier to entry is reduced than say a 1-handed sword and buckler. Plus it really is a friggen sword.

What makes HEMA part of but distinct from Western Martial Arts or WMA is the attempt to reconstruct as close to the sources as achievable rather than add something modern day. In contrast to a lot of other martial arts longsword living information has been broken and this gap demands scholarly study and experimental archeology to verify each other. Interestingly Chinese two-handed sword tactics have been lost and reconstructed then adapted a lot of instances in history so what HEMA and WMA are doing isn’t a modern idea.

Normally I would begin by checking with schools prior to obtaining gear. But with schools some distance away my ambitions are basic solo method drills mixed with historical investigation that will market well being, understanding of history, combat participant’s mentality, and philosophical enlightenment. Eventually sparring and classes will be essential to progress but for now very basic strength instruction and investigation (along with poor foot work and plain incorrect positioning) are adequate of a preoccupation. Consistency very first, then correction.

Clearly a waster or sword simulator for practice was required, one thing that is a good approximation of a longsword and can deal with contact sparring at an affordable price. Some sword simulators can handle the rigors of approach drills but not sparring they are not component of the discussion here. Trainers such as MBlades’ Swing are very good for confined spaces but they are not meant for sparring and there is no way to practice half-swording tactics with them.

Wooden swords or wasters have a extended historical pedigree and several nonetheless swear by them. They can be too light, bounce on get in touch with, and are too dangerous during thrusts simply because they do not flex. &quotControl!&quot people will cry, but as a beginner with no pell encounter it really is far better to err on the side of safety. I actually like blunt steel Federschwerts or Feders – also a standard education tool – but good ones are pricey. Feders from Albion and Regenyei Armory commence at about USD and up.

The expense increases further due to the fact of the protection essential for inexperienced sparring. For those deciding on Feders sparring with against other Feders with the same blade hardness will prolong blade life for all participants. A steel Federschwert utilizing an adjustable screw-held pommel will have to wait for now. Great blunt swords are closer in handling with sharps, but they flex a lot more for security (normally much less than Feders but not often) and due to the fact they are blunt the edges do not stick. They are way beyond my price range and safety needs anyway. Actually, synthetic nylon swords are the only remaining choice.

I’ve read very great items about Purpleheart Armoury’s Type III Pentti and Black Fencer’s Like Steel Waster Longsword V3. They had been either a small too stiff or also expensive so I went with Rawlings. Everything’s that been talked about have their location in recreating the treatises, it really is just that I’m deciding their usefulness to my scenario.

Rawlings Synthetic Longsword Assessment

The parts were ordered from Purpleheart Armoury, an American firm that imports Western Martial Arts and Historical European Martial Arts gear from Europe. Every element had to be chosen separately and with every little thing except for the pommel made in the UK, I opted for a steel crossguard and a 5&quot extended aluminum pommel for weight and balance simulation. The cost for my build is USD prior to tax and shipping.

My order needed a few adjustments but there had been no replies to my emails. It wasn’t till the sword arrived that I was capable to confirm that the adjustments were certainly applied so great on Purpleheart Armoury for rapidly processing and order adjustments, I just want they would be a lot more communicative in maintaining their consumers in the loop. The pieces came in a extended rectangular box disassembled but assembly is easy adequate that no directions were essential.

Blade

The 38&quot lengthy blade has a lenticular geometry and even though considerably thicker than the real article it has a moderate distal and profile tapering that aids in balance as properly as safe sparring by decreasing mass at the effect point. For additional security the tip and edges are well rounded with good flex at the last third of the blade for protected thrusting. All of this tends to make the blade also whippy during full speed swings but truly metal sword simulators endure from this to some degree as properly even though they are considerably far more resistant to taking a set or bend.

The 8&quot plastic tang encases a lengthy metal screw rod that ensures all components will be held in place. The thread for the pommel came greased and for maintenance I recommend a water displacement such as WD-40 be utilised for cleaning off old grease and other contaminants followed by a really light coating of lubricant such as viscous machine grease.

Of note is that my blade flat had some excess molding material giving an appearance of dripping wax and anxiety marks. They’re not truly bumpy and this sword isn’t a wall hanger so it is not a issue but it could be for some. Another minor issue are rectangular mold registration points. The two on an edge could affect blade-on-blade influence but are easy to sand smooth. The 1 on the tip protruded adequate to possibly damage fabric for the duration of influence and was meticulously hand-sanded smooth soon after some work.

The blade will take a set from correct straight over time either from storage or temperature adjustments. It is best to hang this point down by the crossguards if possible for storage and blade self-correction. For extreme blade deformations a hot but not boiling water bath for a few minutes will help straighten it back, or modifying it as the case could be.

Crossguard

The 9.5&quot stainless steel casted crossguard has slightly upturned quillions that finish in balls at the tips for safety. It really is held by compression from the pommel against the rubber grip so there is some really slight movement for the duration of severe influence at the guard but nothing at all that’s unsafe. Of note is that my crossguard came with minor cosmetic dings but again this sword is meant to be used. I’ve study from other people’s experiences that this guard can chew nylon blades after many enthusiastic sparring sessions.

The steel guard delivers greater protection for the hands and even in the course of strategy drills the added weight tends to make issues a little a lot more realistic so it’s suggested. The quillions aren’t thick sufficient to get in the way of fingering the guard, thumbing the blade, or simulate an overhand palm-up sword-throwing hold that would be at residence in a judicial duel to settle a domestic dispute.

Grip

The longsword grip is sticky rubber that also compress against the crossguard with the aid of the pommel. It really is sufficient but robust gloves such as leather work gloves are advisable against effect shock. An additional purpose is that when the grip gets wet dragging the palm across the surface will make eraser-like particles of rubber. Wrapping grip tape may possibly aid.

It could not be apparent but the grip is oval at the crossguard and gradually becomes cylindrical towards the pommel which is fantastic. A lot of fantasy swords get this incorrect since the oval serves as a tactile indicator of exactly where the blade is oriented. An imprecise cutting angle with a true blade can cause an ineffective bounce or can reduce the blade into a shower of sharp projectiles so this detail aids in forming very good habits during practice.

The interior of the grip is sticky making it quite difficult to slide over the tang and because of the imprecise match there will be a noticeable tacky sensation as it shifts slightly in the course of swinging. I employed some talcum powder to eliminate it and to help disassembly. Much less then a pinch applied directly to the tang is all that’s required – seriously, as well a lot will improve movement of the grip that can result in premature put on.

Speaking of which I noticed white scratch marks on the rubber that I have no thought how they have been made. When I tried to brush them smooth with my fingers the ridges from my finger prints made fresh white lines. This is the least durable element right here but luckily it’s also the cheapest to replace.

Update 2016-02-29
Some folks have asked how to steer clear of abrasions when drilling bare-handed since the rubber grip unlike leather is a bit also grippy. I’ve employed child powder for a few months which worked truly nicely before switching back to gloves due to the fact of tension marks on the palms appeared and common tenderness from drilling without having shock protection. Other options other men and women have suggested in forums incorporate thin fingerless gloves and re-wrapping the grip. Rewrapping can be accomplished easily with grip tape and will most most likely avert the waster from straightforward disassembly for travel.

Re-wrapping may possibly also assist with a slipping effect the loose grip provides when rotational forces are applied, typically in the course of fast guard transitions that offers the waster a momentarily unsteady, mushy response. I’ve seen men and women created wood grips then wrapped in leather for their federschwert, something I am certain the identical can be carried out in a way that will let disassembly for this synthetic waster.

Other attainable options I have not noticed tested are adding shims or apply thin tape onto the tang and mallet the rubber grip on.

The rubber grip itself has held up nicely. It really is quite slightly looser than initially but I believe it can make it through the rest of this year. The tang has rubber residues from the grip which sometimes wants to be cleaned off with isopropyl alcohol. Other than that some light application of infant energy nevertheless operate to stop tackiness when rotational forces are applied.

Pommel

Historically pommel weight for balancing in genuine swords was a secondary function and in fact numerous have been hollow. Right here it really is a weight. I decided on the five&quot extended mainly solid aluminum pommel (not the PHA or Pentti pommels) for my build alternatively of the nylon pommel for weight and balance. The two grip bevels and the border in between the pommel’s round bottom and the adjacent angled facet were each so slightly sharp for comfort so liquid abrasive was employed. The soft aluminum readily lends itself very well for polishing but it really is insanely straightforward to get scratches. Placing the sword on the ground pommel-1st will assure gouges to the finish. Of fantastic concern although is that repeated disassembly or looseness can improve the possibility of stripping the pommel’s threads.

I found out later that many people prefer this extension for the length benefit it gives for the duration of a bout, an benefit that’s slight compared to fighter knowledge. For me it gives very good simulated weight, greater leverage, and much more tactical possibilities. It creates a extremely comfortable 13&quot, 3 hand-width grip-space and general the beveling was nicely carried out, generating this a very good choice for a person who’s interested in some of the German longsword treatises.

For these that choose a much more lively handling snug grip that will not get in the way with a single hand use, anything that gives tiny for an opponent to grab, or for those who make a decision to stick to treatises that require a shorter two hand-width grip but still desire some weight stainless steel brief pommels are also obtainable.

Update 2016-02-29:
Aluminum is soft. Even if cared for the pommel will get dinged on a functioning waster. As a former aircraft maintainer aluminum will definitely corrode in harsh environments. There’s no corrosion on the pommel so far but it is in no way close to salt water and meals-grade mineral oil is lightly applied right after cleaning and coating my montante waster.

Use

With a blade length of 38&quot and a total length of 52&quot the synthetic sword built is fundamentally a Oakeshott Typology Sub-Type XVIIIb with a rounded tip. The weight is inside historical ranges at about three lbs. but mass has been moved towards the guard to reduce tip influence force as a trainer. The point of balance is about 1&quot away from the crossguard center tip, a tiny close but once again done for security and is nevertheless within the historical range for some longswords.

From almost everything I’ve read and observed the thickness of the blade creates aerodynamic drag that tends to make it slower than a metal blade throughout a swing. The relative lightness makes it possible for it to accelerate quicker helping with directional alterations so I suspect this nuance is what people are unconsciously implying when they say that synthetics are more rapidly. I never know if it is intentional but the tip creates an audible noise when a reduce is completed with the blade angled straight by way of the cutting path which can be incredibly useful for coaching.

As pointed out during complete speed swings the blade can get a little whippy but half-swording methods and even Mordhau is still totally feasible. Wearing padded operate gloves I was in a position to simply finger the guard for greater point manage. Thumbing the blade to assist in rotations or sticking the thumb up to shield it from an attack on the inside-line is also extremely simply accomplished.

Binding is unrealistic of course as real sharpened swords will stick to every single other extremely securely throughout edge-on-edge get in touch with alternatively of sliding around. This is one thing that also affects dull metal blades. Some HEMA practitioners are testing 3M friction tapes, grip tape, and other options on synthetic blades edges. The sword flats should stay slippy by becoming tape-free of charge. From what is been reported taping is not as excellent as sharp edge binds but it makes it possible for a much much better binding and winding simulation than blunt swords. Skin make contact with at speed can generate some negative abrasions so dress accordingly.

Whether synthetic or blunts for sparring it is ideal to use like-with-like since blades can behave differently and can even harm every single other at a rate that will outpace their intended life span. There are some really reasonably priced sword simulators such as these from Cold Steel that are as balanced as clubs and the material is reasonably rigid making them harmful. Overlook about utilizing PVC pipes, they have a tendency to shatter into sharp pieces and aluminum blades are not helpful at all due to the fact their behavior deviates from steel so drastically.

Safety

I agree with the philosophy that elevated dangers adds to increased respect, but up to a certain point. I am a beginner and we have modern day understanding and protective technologies so I’ll leave the advanced fencing approaches to the authorities. Considering that I am soloing for now I might at most put on operate gloves to avoid ripping off calluses. For sparring with synthetics the minimum protection advisable is as follows:

-A HEMA-rated face mask with back of head protection Kendo and sport fencing masks cannot manage the added force involved and gives no back protection for the head.

-A separate gorget throat protector will assist stop the crushed windpipes and broken collar bones.

-A chest protector, gambson or fencing jacket, preferably with the potential to insert a separate gorget underneath. Folks have identified built-in throat protectors are not as efficient as a separate gorget.

-Thick gloves to defend against broken fingers. Spend especially added focus to side finger and finger tip protection.

-Male cup for the gents or female cup for the ladies.

Optional gear consists of fencing pants, limb guards, joint guards, and so on. This isn’t all inclusive and HEMA-rated gear are still becoming updated. Using wooden wasters and steel will of course enhance the level of protection necessary compared to synthetics. Also armor remains a compromise among protection, mobility, and expense. Limbs still bend particular methods so many of the half-swording and wrestling methods are quite hazardous if done at full speed.

Making use of a pell to swing near-complete speed then stopping just prior to effect or softening the effect can increase manage and training companion survival rate. Normally far more experience and familiarity with education partners will demand less protection, inexperience, enhanced speed, or unfamiliarity with opponents such as during a tournament will demand much more. Wearing all of this gear can get incredibly hot so hydrate to stop heat stroke and make certain other folks do the exact same, particularly in many events held in the open with no shade.

Legal

For transport a friend recommended a cloth Naginata bag for the blade that was on sale at E-Bogu. The sword will have to be disassembled of course but that need to aid with peaceful intent if questioned by law enforcement.

I am not a lawyer but according to the Seattle Municipal Code as lengthy as the sword is covered for transport to or from an occasion or private location and it’s not becoming brandished it should be ok. Law enforcement will nevertheless have the potential to detain so be specialist and if it really is a new club have insurance coverage and uniforms. Otherwise stick to Wheaton’s Law.

Conclusion

These that are pondering of attempting out HEMA will find this synthetic sword to be pretty excellent and is most likely a single of the best in it’s value category. It’s safer and more realistic than wooden waster sparring swords but more reasonably priced and all issues being equal safer than good blunt sparring swords and Federschwerts. Even though the metal components far more than double the price I would still advocate acquiring them if you happen to be in the exact same position of not being capable to get a Feder.

But prior to rushing out to get this do ask the club that you happen to be going to train with and see what they advise for gear. Otherwise like most things go with your price range and your ambitions. Thanks for reading, stay secure and have a good fight.

References

Basic properties of swords:
www.myarmoury.com/function_properties.html

Some variations in between sharp swords and blunts:
www.youtube.com/watch?v=T21uXihIZcI&amplist=PL_hVs5MjWFV…

Oakeshott Typology
www.albion-swords.com/articles/oakeshott-typology.htm

Sparring swords introduction:
www.hroarr.com/sparring-swords-introduction/

Why a sword feels right:
www.tameshigiri.ca/2014/05/16/why-a-sword-feels-right/

Resources

New York Occasions on Longpoint 2014:
www.nytimes.com/video/sports/100000003040466/inside-the-w…

HEMA Alliance club finder (doublecheck locations):
www.communitywalk.com/user/view/81443

Using distinct coaching tools and their qualities for correct reconstruction:
www.youtube.com/watch?v=QiEmcOCYElg

Video assessment of numerous Rawlings synthetic swords:
www.youtube.com/watch?v=mYBSVHA9drE

A more crucial evaluation of an older generation of this synthetic longsword:
www.hroarr.com/the-dave-rawlingsknightshop-synthetic-long…

How to get into Historical European Martial Arts:
www.youtube.com/watch?v=-3rHywjh1bQ&ampindex=102&amplis…

Longsword education tips:
www.youtube.com/playlist?list=PLMUtS78ZxryOMRve8RkM0vcrIK…

Sword Carolina has superb solo education videos:
www.youtube.com/user/KASLKdF

Sword School is a supplement to fencing manuals by Guy Windsor:
www.youtube.com/user/swordschool

Flying with Swords (some great guidance from experiance):
historical-academy.co.uk/weblog/2014/12/26/flying-with-swords/

How to be comfortable wearing safety gear:
historical-academy.co.uk/blog/2015/01/16/how-to-grow to be-co…

Seattle Municipal Code – Chapter 12A.14 – Weapons Handle:
www.municode.com/library/wa/seattle/codes/municipal_code?…

Gear
Albion Swords (higher quality and high-priced):
www.albion-swords.com/

Black Fencer (their synthetic swords are preferred by some for their rigidity):
www.blackfencer.com/en/

E-Bogu (martial arts stuff for the Bruce Lees and Master Kens):
www.e-bogu.com/

Hanwei Federschwerts (CAS Iberia is importer, Hanwei is hit or miss do research):
casiberia.com/prod_list.aspx?q=feder

MBlades Swing compact sword simulator:
www.mblades.com/swing/index.html

Purpleheart Armoury (sword simulators, HEMA security gear, and so on.):
www.woodenswords.com/

Regenyei Armory (good top quality potentially extended wait, importer is HEMA Supplies):
www.regenyei.com/en_index.html

Books

The Swordsman’s Companion by Guy Windsor is a education manual that mostly follows the &quotItalian tradition&quot employing Fior di Battaglia as a supply. It is a excellent manual for longsword beginners.
guywindsor.net/weblog/books/the-swordsmans-companion/#sthas…

Sword School, supporting videos for The Swordsman’s Companion:
www.youtube.com/user/swordschool

Sigmund Ringeck’s Knightly Arts of Combat by David Lindholm and Peter Svärd is a coaching manual that primarily follows the &quotGerman tradition&quot mostly employing Sigmund Ringeck’s Fetchbuch as a supply. Far more of a supplement it covers sword and buckler, wrestling, polearms, and half-swording. Interpretations on mounted cavalry was not incorporated.
www.paladin-press.com/product/Sigmund_Ringecks_Knightly_A…

Blogs

BWF – Box. Wrestle. Fence.
boxwrestlefence.com/

Encased in Steel
historical-academy.co.uk/blog/

Fight with All Your Strength
fightwithallyourstrength.blogspot.com/

Guy Windsor
guywindsor.net/weblog/weblog-two/#sthash.VDNBSuXh.dpbs

I never do longsword
hemamisfits.com/

The Hema-Tome
pterminiello.tumblr.com/

The HEMAists
thehemaists.com/

The Ring of Steel
theringofsteel.com/

Amazing YouTube channels

Lindybeige:
www.youtube.com/user/lindybeige

Skallagrim:
www.youtube.com/user/SkallagrimNilsson

Scholagldiatoria:
www.youtube.com/user/scholagladiatoria

Sword Carolina
www.youtube.com/user/KASLKdF

Update 2016-05-02:
Skallagrim has created an updated review and it is unfavorable for the Rawlings. Based on every thing else consistently written or stated by distinct people and clubs his comments are pretty on mark. The blade for my Rawlings longsword is nowhere as versatile as shown in the video due to the fact it’s not used for effect operate on a pell, and the weight is closer to a steel federschwert than BlackFencer’s synthetic longswords. For my personal use and considering Seattle city parks have legal restrictions dealing with something that can be mistaken for an actual weapon I wouldn’t hesitate to get another a single limited to solo drills.

www.youtube.com/watch?v=0D0R_DJhCW4